John Spike ’73

Work began on the Center for the Arts while I was an undergrad. We never saw any part of it finished, but, in keeping with Wesleyan’s penchant for the exotic and barely practical, we felt proud that it was projected to have an entire building dedicated to just the gamelan orchestra.

My professor and advisor in Art History was the beloved Sam Green, who painted in a traditional realism style but favored all things modern. Sam was instrumental in securing approval for Kevin Roche’s modernist-brutalist plan for the CFA. We all had some concern about what we had wrought as the massive monolithic temple blocks were lined up in the woods, and the joke on campus was, "It looks like something designed for the Mayans but rejected by them."

[John Spike is an art historian, curator, and author. He is also a prominent contemporary art critic and past director of the Florence Biennale.]